Zootropolis

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Entertainment Focus
(Copyright: Disney)

Written By: Paul Burke

Distributor: Walt Disney Studios Motion Pictures
Production Companies: Walt Disney Pictures and Walt Disney Animation Studios
Directors: Byron Howard and Rich Moore
Producer: Clark Spencer
Scriptwriters: Jared Bush and Phil Johnston
Main Cast: Ginnifer Goodwin, Jason Bateman, Idris Elba, J.K. Simmons, Jenny Slate, Tommy Chong and Octavia Spencer
Released: March 25 2016
Running Time: 108 Minutes
Certificate: PG

“Life isn't some cartoon musical where you sing a little song and all your insipid dreams magically come true. So let it go.” - Chief Bogo

I see what you did there, Disney: Zootropolis, or ‘Zootopia’ as it is known in America and therefore in the wider world (or ‘Zoomania’ in Germany, just in case you're reading this in Germany and are confused - schreien um meine deutschen fans!)

Those niggling changes are basically forced on Disney having to rename for territories where those titles already have copyright. But while the company will see ‘Zootopia’ as the true title, I'd argue that ‘Zootropolis’ is a more fitting name. Because this is a very modern movie, set in a very modern metropolis. Modern-day items like CCTV and phones are used as plot devices. And the Zootropolis really feels like a full, bustling city of different types. ‘Zootopia’ is basically just a pun on ‘utopia’. Do people really love a pun that much?

But anyway, it is Zootropolis here in the UK and it's all the better for it. Since buying the Pixar company, the Disney corporation have used their acquired know-how to begin putting out their very own Pixar-like content, in terms of looks and almost in terms of quality too. Tangled (before Pixar, it must be said), Bolt, Wreck-It Ralph, Frozen, Big Hero 6 and now Zootropolis move away from how Disney previously would have done stories about a talking animal, a video game, a robot and a Princess. They are almost anti-Disney. Sure, they are still predictable stories with a be-true-to-yourself message, but how we get there is different to what we are used to. With limited musical numbers overall, the Princess’ true love story is about her sisters, and the tale of the talking animal actually goes a little Animal Farm and hits us with a political story wrapped up in a classic ‘follow your dreams’ moral. But unlike every version of Animal Farm I've ever seen, at least Zootropolis does so entertainingly.

So, we basically follow Judy Hopps, a bunny rabbit from the country who not only dreams of living in the big city, but wants to do so as a cop. No easy feat when you consider most of the animal kingdom's predators roam the streets of Zootropolis. But Judy and her boundless energy has proved to herself countless times that anyone who tries to tell her that being the “little guy” is a disadvantage in life is wrong. Standard fare so far, then, as is much of the movie for the first two acts. She teams up with Nick Wilde - a con artist fox who grates on her; they have a standard, though quite intriguing, mystery to solve - to find the missing member of Zootropolis, and they do so through many exciting and often hilarious set pieces. The Godfather-inspired mob wedding provides several laughs, as well as the joke about the DMV being run by sloths, which is probably the stand-out moment of the movie. It's standard, but it's good-looking entertainment up to this point for the intended child audience and their parents (for whom there is even a Breaking Bad reference).

But once the mystery is seemingly wrapped up early, we are hit with a whopper of a third act. All of a sudden, the audience are being confronted with the idea of how people deal with and, just as importantly, use fear. It is a hugely prominent part of modern day politics, especially in this US election year, and arguably modern-day life since 9/11. And here, Disney confront that theme out of the blue, but without beating us over the head with it. With a kids movie! Yes, despite the mentions of 9/11, this movie is aimed at children. But they aren't reading this review. (Well, hopefully; if so, please leave the Internet kids. It's a bizarre and frightening place.)

The story’s outcome is fairly predictable early on, and while it has a lot of heart, it doesn't really have the same emotional weight as something like Up or Toy Story 3. It is not as visually interesting as the likes of Wall-E. But that is not to say that Zootropolis doesn't look stunning, because it really does. So much thought goes into how all these animals live, transport and work together that it could rely on its sight gags alone, but thankfully it doesn't. It plays on our ideas of these animals, modern-day life, and how they blend together, and not just in a superficial way. In fact, they don't ask the audience to forget what we know about animals, but they use our preconceptions on them to forward the plot. And rather than chase its 2D past, as it has been accused of doing before, Disney has instead taken the lead set by its ground-breaking in-house acquisition Pixar, and continues to push its own special Disney brand forward into the new modern-day.

Overall Rating: 8/10 - Very Good

Up

Image Source: Wikipedia

Written By: Elaine Yu

Distributors: Walt Disney Studios and Motion Pictures
Production Companies: Walt Disney Pictures and Pixar Animation Studios
Director: Pete Docter
Producer: Jonas Rivera
Scriptwriters: Bob Peterson and Pete Docter
Main Cast: Ed Asner, Christopher Plummer, Jordan Nagai and Bob Peterson
Released: May 29 2009 (US) and October 9 2009 (UK)
Running Time: 96 Minutes
Certificate: U

The first time I saw any visuals of Up was in the trailer when it was just released at the Cannes International Film Festival in 2009, which heightened my anticipation to see it in full. Even though it was reputable for its 3D visual effects, I was more impressed by the storyline between the old man, Carl, and the boy, Russell. In this way, it is not like the classical Disney films, which always focuses on a romance between a Prince and a Princess. However, it still creates that fantastic Disney wonderland for both kids and adults.

A mass of colourful balloons, the old house and the miraculous adventure in the forest conform to the fantasy of fairy tales. But, to me, the moment that is most touching is that which showcases the married life of Carl and Ellie as opposed to the up-and-down journey. This scene is like the animation version of salience film. No words for characters; the story is told by the transition of senses. It is also important to talk about the slight variation of the soundtrack in this scene. The melody is the same, but the beat varies with the atmosphere and with their mood. For example, at Carl and Ellie’s wedding, it is upbeat, but when they realised that they couldn’t have children, it slows down. Because of the excellent soundtrack, Up received the Best Score at the Academy Awards, the Grammy Awards, and the Golden Globe Awards in 2009.

Unlike the romance in fairytale Disney films, where the Prince and the Princess live happily ever after, Carl and Ellie have been gradually getting old. For the family, they put off pursuing their dream, but they didn’t quit. Ellie did not make their dream come true in their lifetime, but is Carl going to make it? That is a clue which the story leaves you with. I actually prefer this kind of imperfect romance: it is realistic, just like the romances of the real world: imperfect, but beautiful.

Films are supposed to involve viewers in the fantastic world, and allow them to escape from the dissatisfied real world to further entertain them. Indeed, escaping happens in the film, as Carl avoids moving from his house to a retirement home and keeps the promise to his wife. He decides to turn the house into a makeshift airship with a mass of balloons, and starts his adventure to Paradise Falls just to keep his promise to Ellie. Nevertheless, the dream is disillusioned: he realises that his hero, the famous explorer Charles F. Muntz, was a devil accused of fabricating the skeleton of a giant bird. Fortunately, they beat the villain and fly back to the city.

Once you are confronted with the situation of dissatisfaction that mirrors reality, you can escape. But it is not a wise choice, as the great world outside is just in your imagination. It might be cruel and evil. The ending implies that the wise choice on handling a tough situation is saluting it actively and bravely.

The great visual effects will entertain audiences, particularly younger viewers. More importantly, though, the reflection and inspiration for the film is the foundation for it to gain a great reputation. The reality in Up is more than worthy to be explored and results in a superb animation picture.

Overall Rating: 8.5/10 - Excellent